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Das Nachtland - Taschenbuch, von O'Nan Stewart - akzeptabel

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Artikelzustand
Akzeptabel: Buch mit deutlichen Gebrauchsspuren. Der Einband kann einige Beschädigungen aufweisen, ...
Type
Textbook
ISBN
9780312424077
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Picador
ISBN-10
0312424078
ISBN-13
9780312424077
eBay Product ID (ePID)
30790479

Product Key Features

Book Title
Night Country
Number of Pages
240 Pages
Language
English
Publication Year
2004
Topic
Ghost, Literary
Features
Revised
Genre
Fiction
Author
Stewart O'nan
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
10.9 Oz
Item Length
8.5 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
Reviews
"I think that if you haven't read Stewart O'Nan . . . you have some catching up to do." --Stephen King, Entertainment Weekly "With one foot in the genre of horror-supernatural and the other in literary fiction, this book defies classification." --Brian Richard Boylan, San Francisco Chronicle "Chilling...By juxtaposing the angst of teenage years with the hoarier dread of middle age, O'Nan has put his finger on how frightening and swift is the hand of fate." --John Freeman, M inneapolis Star Tribune "Stewart O'Nan is a literary ventriloquist. Each of his novels is is so different that he seems capable of doing anything he chooses." --Dan Cryer, Newsday, "I think that if you haven't read Stewart O'Nan . . . you have some catching up to do." --Stephen King, Entertainment Weekly "With one foot in the genre of horror-supernatural and the other in literary fiction, this book defies classification." --Brian Richard Boylan, San Francisco Chronicle "Chilling...By juxtaposing the angst of teenage years with the hoarier dread of middle age, O'Nan has put his finger on how frightening and swift is the hand of fate." --John Freeman, Minneapolis Star Tribune "Stewart O'Nan is a literary ventriloquist. Each of his novels is is so different that he seems capable of doing anything he chooses." --Dan Cryer, Newsday, Chilling...By juxtaposing the angst of teenage years with the hoarier dread of middle age, O'Nan has put his finger on how frightening and swift is the hand of fate., With one foot in the genre of horror-supernatural and the other in literary fiction, this book defies classification., Stewart O'Nan is a literary ventriloquist. Each of his novels is is so different that he seems capable of doing anything he chooses.
Dewey Edition
22
TitleLeading
The
Dewey Decimal
813.54
Edition Description
Revised edition
Synopsis
A ghost story that begins in everyday tragedy, from a distinctly American master of both forms: a "scary, sad, funny . . . mesmerizing read" (Stephen King) At Midnight on Halloween in a cloistered New England suburb, a car carrying five teenagers leaves a winding road and slams into a tree, killing three of them. One escapes unharmed, another suffers severe brain damage. A year later, summoned by the memories of those closest to them, the three that died come back on a last chilling mission among the living. A strange and unsettling ghost story, The Night Country creeps through the leaf-strewn streets and quiet cul-de-sacs of one bedroom community, reaching into the desperately connected yet isolated lives of three people changed forever by the accident: Tim, who survived yet lost everything; Brooks, the cop whose guilty secret has destroyed his life; and Kyle's mom, trying to love the new son the doctors returned to her. As the day wanes and darkness falls, one of them puts a terrible plan into effect, and they find themselves caught in a collision of need and desire, watched over by the knowing ghosts. Macabre and moving, The Night Country elevates every small town's bad high school crash into myth, finding the deeper human truth beneath a shared and very American tragedy. As in his highly-prized Snow Angels and A Prayer for the Dying , once again Stewart O'Nan gives us an intimate look at people trying to hold on to hope, and the consequences when they fail., A ghost story that begins in everyday tragedy, from a distinctly American master of both forms: a "scary, sad, funny . . . mesmerizing read" (Stephen King) At Midnight on Halloween in a cloistered New England suburb, a car carrying five teenagers leaves a winding road and slams into a tree, killing three of them. One escapes unharmed, another suffers severe brain damage. A year later, summoned by the memories of those closest to them, the three that died come back on a last chilling mission among the living. A strange and unsettling ghost story, The Night Country creeps through the leaf-strewn streets and quiet cul-de-sacs of one bedroom community, reaching into the desperately connected yet isolated lives of three people changed forever by the accident: Tim, who survived yet lost everything; Brooks, the cop whose guilty secret has destroyed his life; and Kyle's mom, trying to love the new son the doctors returned to her. As the day wanes and darkness falls, one of them puts a terrible plan into effect, and they find themselves caught in a collisionof need and desire, watched over by the knowing ghosts. Macabre and moving, The Night Country elevates every small town's bad high school crash into myth, finding the deeper human truth beneath a shared and very American tragedy. As in his highly-prized Snow Angels and A Prayer for the Dying , once again Stewart O'Nan gives us an intimate look at people trying to hold on to hope, and the consequences when they fail.

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