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PATHS TO ABSTRACTION 1867-1917
US $59,99
Ca.CHF 48,28
Artikelzustand:
- Sofort-KaufenPATHS TO ABSTRACTION 1867-1917
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Kostenlos USPS Ground Advantage®.
Standort: Nashville, Tennessee, USA
Lieferung:
Lieferung zwischen Do, 11. Dez und Mo, 15. Dez nach 94104 bei heutigem Zahlungseingang
Rücknahme:
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eBay-Artikelnr.:406433891727
Artikelmerkmale
- Artikelzustand
- Pages
- 296
- Book Condition
- NF in NF dust jacket
- Cover
- Hardcover
- Features
- Quick shipping, excellent customer service. All books carefully, packaged in boxes and ship with tracking information.
- Defects
- Hardback in Near Fine condition with Near Fine dust jacket
- ISBN
- 9783791350912
Über dieses Produkt
Product Identifiers
Publisher
Prestel Gmbh & Co KG.
ISBN-10
3791350919
ISBN-13
9783791350912
eBay Product ID (ePID)
99646778
Product Key Features
Book Title
Paths to Abstraction 1867-1917
Number of Pages
296 Pages
Language
English
Publication Year
2011
Topic
History / Modern (Late 19th Century to 1945), History / Contemporary (1945-), Collections, Catalogs, Exhibitions / General, History / General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
20 oz
Item Length
11 in
Item Width
9.4 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
Dewey Decimal
709.034
Synopsis
This survey of five decades of late nineteenth and early twentieth century abstract art chronicles the evolution of a movement that the book argues was the inevitable precursor to Modernism., This survey of five decades of late nineteenth and early twentieth century abstract art chronicles the evolution of a movement that the book argues was the inevitable precursor to Modernism. Filled with full page reproductions as well as stunning details of some of the most influential abstract paintings of the late nineteenth and early twentieth centuries, this important volume follows the broad and diverse ways that painters such as Whistler, Monet, Cezanne, Denis, Vuillard, Matisse, Derain, Picasso, and Braque learned from each other as they embarked on an entirely new kind of expression. Informative and fascinating essays explore questions such as how these artists arrived at such a convergence; why abstract art took root so quickly; and why has it never been singled out by critics or historians as an independent art movement. This beautifully produced volume illustrates how abstraction arose directly from a tradition of speculation about the nature of art and aesthetic experience.
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