Jung Seminars Ser.: Visions : Notes of the Seminar Given in 1930-1934 by C. G. Jung by Claire Douglas (1997, Hardcover)

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Product Identifiers

PublisherPrinceton University Press
ISBN-100691099715
ISBN-139780691099712
eBay Product ID (ePID)1112628

Product Key Features

Number of Pages1500 Pages
LanguageEnglish
Publication NameVisions : Notes of the Seminar Given in 1930-1934 by C. G. Jung
SubjectMovements / Jungian, Movements / Psychoanalysis
Publication Year1997
TypeTextbook
AuthorClaire Douglas
Subject AreaPsychology
SeriesJung Seminars Ser.
FormatHardcover

Dimensions

Item Height3.5 in
Item Weight87.2 Oz
Item Length9.2 in
Item Width6.9 in

Additional Product Features

Intended AudienceCollege Audience
LCCN96-025402
Dewey Edition21
Reviews"The Visions seminars constitute a brilliant and demanding masterpiece that was too long circulated in small circles and kept secret from the general public. The publisher and editor are to be congratulated for bringing this noteworthy historical work into the public domain." --Polly Young-Eisendrath, editor of The Cambridge Companion to Jung, "An extraordinary archival treasure of Jung's work in progress, his style and evolving encounters with the unconscious--his own and his analysands'. Claire Douglas and Princeton University Press are to be applauded for bringing together this inimitable work by the grand master of analytical, archetypal and depth psychology, Carl Gustave Jung." --Clarissa Pinkola Estés, Ph.D., diplomate senior Jungian analyst, author of Women Who Run With the Wolves , The Gift of Story , and The Faithful Gardener
Series Volume Number147
Number of Volumes2 Vols.
IllustratedYes
Dewey Decimal150.1954
Table Of ContentVolume INTRODUCTION ACKNOWLEDGMENTS MEMBERS OF THE SEMINAR LIST OF BIBLIOGRAPHIC ABBREVIATIONS FALL TERM I. 15 October 1930 II. 22 October 1930 III. 29 October 1930 IV. 5 November 1930 V. 12 November 1930 VI. 19 November 1930 VII. 27 November 1930 VIII. 3 December 1930 IX. 8 December 1930 X. 9 December 1930 WINTER TERM I. 21 January 1931 II. 4 February 1931 III. 11 February 1931 IV. 18 February 1931 V. 25 February 1931 VI. 3 March 1931 VII. 11 March 1931 VIII. 18 March 1931 IX. 25 March 1931 SPRING TERM I. 6 May 1931 II. 21 May 1931 III. 27 May 1931 IV. 3 June 1931 V. 10 June 1931 VI. 24 June 1931 FALL TERM I. 11 November 1931 II. 18 November 1931 III. 25 November 1931 IV. 2 December 1931 V. 9 December 1931 VI. 16 December 1931 WINTER TERM I. 20 January 1932 II. 27 January 1932 III. 3 February 1932 IV. 10 February 1932 V. 17 February 1932 VI. 24 February 1932 VII. 2 March 1932 VIII. 9 March 1932 IX. 16 March 1932 Volume SPRING TERM I. 4 May 1932 II. 11 May 1932 III. 18 May 1932 IV. 1 June 1932 V. 8 June 1932 VI. 15 June 1932 VII. 22 June 1932 VIII. 29 June 1932 FALL TERM I. 2 November 1932 II. 16 November 1932 III. 23 November 1932 IV. 30 November 1932 V. 7 December 1932 WINTER TERM I. 18 January 1933 II. 25 January 1933 III. 1 February 1933 IV. 22 February 1933 V. 1 March 1933 VI. 8 March 1933 SPRING TERM I. 3 May 1933 II. 10 May 1933 III. 17 May 1933 IV. 24 May 1933 V. 31 May 1933 VI. 7 June 1933 VII. 14 June 1933 VIII. 21 June 1933 FALL TERM I. 4 October 1933 II. 11 October 1933 III. 18 October 1933 IV. 25 October 1933 V. 8 November 1933 VI. 15 November 1933 VII. 22 November 1933 VIII. 29 November 1933 IX. 6 December 1933 X. 13 December 1933 WINTER TERM I. 24 January 1934 II. 31 January 1934 III. 7 February 1934 IV. 14 February 1934 V. 21 February 1934 VI. 28 February 1934 VII. 7 March 1934 VIII. 14 March 1934 IX. 21 March 1934 NOTE APRIL 1941 APPENDIX INDEX THE COLLECTED WORKS OF C. G. JUNG
SynopsisFor C. G. Jung, the beautiful and gifted 28-year-old Christiana Morgan was an inspirational and confirming force whose path in self-analysis paralleled his own quest for self-knowledge. By teaching Morgan the trance-like technique of active imagination, Jung launched her on a pilgrimage of archetypal encounters in a quest for psychological integration--encounters she recorded in the words and brilliant paintings that formed the basis of the seminar Jung would give to his circle in Zurich. Here the careful transcriptions of the seminar notes are combined with color reproductions of the visions paintings, offering an unprecedented view of Jung as a teacher and as a man. He speaks candidly and brilliantly in a dialogue with members of the seminar about the Morgan visions, even as he struggles with the feminine principle in his subject and in his own psyche. The theories of his years of intellectual research--the anima and animus, the process of individuation, the mythopoetic archetypes of the collective unconscious--all spring to life in the fiery imagery of the vision quest. Morgan paints an imaginal landscape where the feminine self crosses into the unconsciousness of night and death. In her visioning she links earth and sky, body and spirit, the infernal and the sublime. Recounting her journey, Jung employs his full range of scholarship and professional experience as he unravels the skein of archetypal parallels from western myth and eastern yoga., Combines the transcriptions of the seminar C G Jung would give to his circle in Zurich with color reproductions of the visions paintings, offering a view of Jung as a teacher and as a man., For C. G. Jung, the beautiful and gifted 28-year-old Christiana Morgan was an inspirational and confirming force whose path in self-analysis paralleled his own quest for self-knowledge. By teaching Morgan the trance-like technique of active imagination, Jung launched her on a pilgrimage of archetypal encounters in a quest for psychological integration--encounters she recorded in the words and brilliant paintings that formed the basis of the seminar Jung would give to his circle in Zurich. Here the careful transcriptions of the seminar notes are combined with color reproductions of the visions paintings, offering an unprecedented view of Jung as a teacher and as a man. He speaks candidly and brilliantly in a dialogue with members of the seminar about the Morgan visions, even as he struggles with the feminine principle in his subject and in his own psyche. The theories of his years of intellectual research--the anima and animus, the process of individuation, the mythopoetic archetypes of the collective unconscious--all spring to life in the fiery imagery of the vision quest.Morgan paints an imaginal landscape where the feminine self crosses into the unconsciousness of night and death. In her visioning she links earth and sky, body and spirit, the infernal and the sublime. Recounting her journey, Jung employs his full range of scholarship and professional experience as he unravels the skein of archetypal parallels from western myth and eastern yoga.
LC Classification NumberBF109.J8A5 1997

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