Nineteenth-Century European Paintings at the Sterling and Francine Clark Art Institute by Richard Rand (2013, Hardcover)
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Über dieses Produkt
Product Identifiers
PublisherYale University Press
ISBN-100300179650
ISBN-139780300179651
eBay Product ID (ePID)117318360
Product Key Features
Number of Pages1008 Pages
LanguageEnglish
Publication NameNineteenth-Century European Paintings at the Sterling and Francine Clark Art Institute
Publication Year2013
SubjectHistory / Modern (Late 19th Century to 1945), History / Romanticism, European
TypeTextbook
Subject AreaArt
AuthorRichard Rand
FormatHardcover
Dimensions
Item Height0.5 in
Item Weight234.9 Oz
Item Length1.3 in
Item Width1 in
Additional Product Features
Intended AudienceScholarly & Professional
Dewey Edition23
Reviews"The present catalogue, a monumental two-volume publication, [brings] a seriousness and thoroughness that should set a standard for other museums for years to come. . .This catalogue represents a monumental achievement which, in an ideal world, would serve as a model for all such publications of its type; the expense and sheer amount of work such an undertaking requires unfortunately means that it will probably find fewer imitators than it ought. Nevertheless, it is essential reading for all students of the period, from scholars of Impressionism and the Barbizon school to those whose interest in the nineteenth century is all-encompassing."-Rachel Sloan, Burlington Magazine, "The present catalogue, a monumental two-volume publication, [brings] a seriousness and thoroughness that should set a standard for other museums for years to come. . .This catalogue represents a monumental achievement which, in an ideal world, would serve as a model for all such publications of its type; the expense and sheer amount of work such an undertaking requires unfortunately means that it will probably find fewer imitators than it ought. Nevertheless, it is essential reading for all students of the period, from scholars of Impressionism and the Barbizon school to those whose interest in the nineteenth century is all-encompassing."--Rachel Sloan, Burlington Magazine, Winner of the 2012 George Wittenborn Memorial Book Award presented by Art Libraries Society of North America.
Number of Volumes2 vols.
IllustratedYes
Dewey Decimal759.94
SynopsisThe core of the Clark's collection was assembled by Robert Sterling Clark (1877-1956), who once declared, "I like all kinds of art if it is good of its kind." This monumental, two-volume publication is the first fully documented catalogue of the Institute's collection of European paintings. The quality of this collection reflects the founder's philosophy in its inclusion of masterpieces as diverse as William-Adolphe Bouguereau's Nymphs and Satyr (1873) and Pierre-Auguste Renoir's A Box at the Theater (1880); works by academic painters such as Jean-Léon Gérôme; Barbizon painters such as Camille Corot and Jean-François Millet; and the Impressionists Camille Pissarro and Edgar Degas. More recent acquisitions include Théodore Rousseau's Farm in the Landes (1844-67) and Claude Monet's Rouen Cathedral (1894), and works by John Constable and J. M. W. Turner. Published on the 100th anniversary of Sterling Clark's first purchase of a European painting, these handsome volumes document each of the 374 paintings in the collection, with essays by prominent scholars, detailed bibliographic and art historical apparatus, technical notes, and over 450 color illustrations. Distributed for the Sterling and Francine Clark Art Institute, The core of the Clark's collection was assembled by Robert Sterling Clark (1877-1956), who once declared, "I like all kinds of art if it is good of its kind." This monumental, two-volume publication is the first fully documented catalogue of the Institute's collection of European paintings. The quality of this collection reflects the founder's philosophy in its inclusion of masterpieces as diverse as William-Adolphe Bouguereau's Nymphs and Satyr (1873) and Pierre-Auguste Renoir's A Box at the Theater (1880); works by academic painters such as Jean-L on G r me; Barbizon painters such as Camille Corot and Jean-Fran ois Millet; and the Impressionists Camille Pissarro and Edgar Degas. More recent acquisitions include Th odore Rousseau's Farm in the Landes (1844-67) and Claude Monet's Rouen Cathedral (1894), and works by John Constable and J. M. W. Turner. Published on the 100th anniversary of Sterling Clark's first purchase of a European painting, these handsome volumes document each of the 374 paintings in the collection, with essays by prominent scholars, detailed bibliographic and art historical apparatus, technical notes, and over 450 color illustrations.