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Hartmann - Simplicius Simplicissimus [Neue CD] - Bild 1 von 1

Simplicius Simplicissimus by Hartmann (CD, 1995)

Collectors Choice Music (3403358)

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Über dieses Produkt

Product Identifiers

Record LabelWer, Wergo Germany

UPC4010228625929

eBay Product ID (ePID)16046062001

Product Key Features

FormatCD

Release Year1995

GenreClassical Artists

ArtistHartmann

Release TitleSimplicius Simplicissimus

Dimensions

Item Height0.94 in

Item Weight0.44 lb

Item Length5.63 in

Item Width4.93 in

Additional Product Features

Number of Discs2

Number of Tracks20

Country/Region of ManufactureUnited States

Tracks1.1 Ouvertüre 10:04 1.2 Introduktion (Anno Domini Eintausendsechshundertundachtzehn 03:13 1.3 Du Sehr Verachter Bauernstand 02:12 1.4 Du Sehr Verachter Bauernstand 06:04 1.5 Hunger Und Durst 06:04 1.6 Zwischenspiel 05:11 1.7 Wir Sind Ja Nunmehr Ganz, Ja Mehr Denn Ganz Verheeret 02:03 1.8 Komm, Trost Der Nacht 08:38 1.9 Mein Treuester Vater 04:54 1.10 Nun, Simplici, Liebes Kind 03:06 1.11 So Geht Das Schnöde Leben Hin 02:30 1.12 Mein Lieber Und Wahrer, Einziger Sohn 05:03 2.1 Vorspiel 3. Teil 00:56 2.2 Drei Tänze Der Dame 1: Schnell. Ruhige Viertel 01:25 2.3 Drei Tänze Der Dame 2: Lustig 01:10 2.4 Drei Tänze Der Dame 3: Furioso 01:17 2.5 Als Männer Sind Wir Durchaus Ehrlich 03:07 2.6 Hochedler Herr Gubernator 07:40 2.7 Bravo, Simplici, Bravissimo! 06:58 2.8 Gepriesen Sei Der Richter Der Wahrheit 03:55

NotesKarl Amadeus Hartmann's opera, based upon Grimmelshausen's picaresque novel of the thirty years' war, has not been seen on stage or heard in concert in the UK. Yet it's one of the most important German operas of the 20th century; it was composed during the mid-30s, but couldn't be performed under the Nazis because of the unmistakable parallels it draws with the situation in Europe. (It was staged for the first time only in 1949.) Markus Stenz's fine performance - with an oustanding Juliane Banse as the naive shepherd boy, Simplicius, who finds himself surrounded by the horror, corruption and farce of war - was recorded in 2012 at one of Netherlands Radio's invaluable Saturday matinees, at Amsterdam's Concertgebouw. Like the BR Klassik recording of the opera from 2009, with Camilla Nylund in the title role, it uses the original version of the score, which is more unsparingly pessimistic and much more indebted to the principles of Brechtian epic theatre than the substantial revision that Hartmann made in the 1950s. Stenz and his cast capture that raw intensity very truthfully.